Sunday, September 28, 2008

media is liquid

One of the rights accorded to the owner of copyright is the right to reproduce or to authorize others to reproduce the work in copies or phonorecords. This right is subject to certain limitations found in sections 107 through 118 of the Copyright Act (title 17, U. S. Code). One of the more important limitations is the doctrine of “fair use.” Although fair use was not mentioned in the previous copyright law, the doctrine has developed through a substantial number of court decisions over the years. This doctrine has been codified in section 107 of the copyright law.

Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered “fair,” such as criticism, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:

  1. the purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;

  2. the nature of the copyrighted work;

  3. amount and substantiality of the portion used in relation to the copyrighted work as a whole; and

  4. the effect of the use upon the potential market for or value of the copyrighted work.

The distinction between “fair use” and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.

The 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use: “quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author's observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.”

Copyright protects the particular way an author has expressed himself; it does not extend to any ideas, systems, or factual information conveyed in the work.

The safest course is always to get permission from the copyright owner before using copyrighted material. The Copyright Office cannot give this permission.

When it is impracticable to obtain permission, use of copyrighted material should be avoided unless the doctrine of “fair use” would clearly apply to the situation. The Copyright Office can neither determine if a certain use may be considered “fair” nor advise on possible copyright violations. If there is any doubt, it is advisable to consult an attorney.

FL-102, Revised July 2006


Saturday, September 27, 2008

are you crazy? the fall will probably kill you.

Dragline: Where'd the road go?
Luke: That's it. That's the end of it.
Convict: Man, there's still daylight.
Dragline: About two hours left.
Convict: What do we do now?
Luke: Nothin'.
Dragline: Oh Luke, you wild, beautiful thing. You crazy handful of nothin'.

Rest in peace Paul Newman.

Wednesday, September 17, 2008

somebody lives in shadows

Pitchfork had some cool stuff on it today. One of those things is right below.


The other one of those things begins not so awesomely. The release date for Of Montreal's forthcoming Skeletal Lamping has been pushed back to Oct. 21. That's my brother's birthday. In the meantime, a new remix for Id Engager is out. Download it here.

Call them you will. The hipster snobs over at P4k aren't half bad at keeping me informed about my favorite musicians.

Monday, September 15, 2008

tennessee tendencies and chemical dependancies


First, I posted a poll addressing a previous post. Please offer your input. Thank you.

Second, I seriously debated doing this, and I might regret it, but I decided to give those who have been keeping up on this thing with me a little treat. Below, I have posted the first few pages of Out of Touch, the screenplay I spent the last part of my summer working on. I hope you enjoy it. If you would like to read more, contact me.


(and then I deleted it.)

Sunday, September 7, 2008

who watches those who watch the watchmen?


Finished Watchmen. Now, the answer to the big question: did it live up to the hype? Yes... and no. I loved it. I also had some issues with it. (pun intended)

The story was compelling, however; I was expecting to be on the edge of my seat throughout the read and I wasn't. Between each chapter there are "documents" (letters, magazine articles, legal papers and so forth) which provide a sort of objective exposition, leading us deeper into the lives of the characters and the world they inhabit. The advantage of this is that we are able to get almost a dozen fully fleshed out, believable characters with strengths and weaknesses, desires and fears. The disadvantage is that three quarters into the thing, when I want to not be able to put it down, I get to the end of a chapter, dying to find out what happens next, but guess what. I have to read some more documents. This disrupted the narrative and caused me to lose interest. 

This isn't too bad in the construct of a comic book. (sorry graphic novel) Keeping in mind that each "chapter" was originally an "issue." Remember though, that the whole reason bookstores can't copies of the thing stocked is because of the upcoming movie. (by the way, never before have I seen so much hype generated by a trailer alone) There is a little rule about good movies, they should SHOW, not TELL. The book follows this rule by showing these "documents", making the reader feel like part of the story. What I wonder, and am anxious to find out, is how the filmmakers chose to keep the rule (trusting they care about the rules) while still giving us sufficient character depth to drive the story.

For those of you who are thinking about reading it, or have already started, there is hope. Yes, there IS hope brothers and sisters! (today is Sunday, had to throw that in there) All I have to say is hang in there. The last chapter makes it all worth it. If the filmmakers can pull off this ending, I am sure Watchmen will make a fantastic movie.
 

Wednesday, September 3, 2008

when your eyes are slits in bags of fat

First, apologies for the recent lack of posts. 

Second, school has started. As a media studies major, this makes things interesting. I should get credit for this whole blog thing. But I don't. The nice thing is that I get to discover all kinds of new stuff through my classes. Then I get to write about it. 

What I am trying to say is that I want to keep this blog going but am going to try to keep it separate from my school stuff. Unfortunately, this will mean more infrequent posts. Oh well.

Believe it or not, I do still find time outside of my schoolwork to pursue other media related interests. The most recent being samurai film. Since childhood, I have loved Japanese folklore; and since seeing Rashomon almost a year ago, I have been pretty fascinated with the cinema that has evolved out of it.

Last weekend I watched Akira Kurosawa's Yojimbo.  Sadly, I am not very well versed in his work. I am getting there though. I will list just a few of the things I really like here and add to it as I continue my education.

1. The sound of angry Japanese. Gotta love those hard, machine gun consonant sounds.

2. Quick-paced, brief action sequences. Sanjuro hardly moves throughout the film; so when he does, it's that much more incredible.

3. Toshiro Mifune's acting. This dude's in all the Kurosawa films I've seen so far and WOW. Homeboy's got RANGE.